Sunday, June 7, 2009

Organic wine & food matching: Robert Sinskey Marcien & Maria Helm's braised veal shanks

Randy Caparoso is an award winning wine professional and journalist, living in Denver, Colorado. For a free subscription to Randy's Organic Wine Match of the Day, visit the Denver Wine Examiner.

When Biodynamic® guru Alan York began consulting with winegrower/proprietor Rob Sinskey of Robert Sinskey Vineyards (a.k.a. RSV), the first thing he advised was to “get over the voodoo doo-doo” and find the “practical ways to get it done.” “I was never that heavy into Rudolph Steiner’s spiritual philosophy anyway,” confesses Sinskey, “but what makes sense are the steps that give your vineyard a distinctive personality… if it means planting according to the rhythms of the earth and employing sheep herders to mow the grass, so be it.”

Although Biodynamic® certification didn’t come to RSV until 2007, the original “tipping point” for Sinskey goes back to1990; when he observed one of his Chardonnay blocks in Carneros shutting down and phylloxera strangling the vines. “At that time we were spraying and constantly sterilizing the soil to the point which it had basically become a ‘dead zone,’ showing little sign of life, almost no birds or earthworms to be found. It was our winemaker, Jeff Virnig, who originally brought up the subject one day by asking, ‘wouldn’t it be cool if we were organic?’”

So throughout the ‘90s Sinskey’s goal was to jump-start microbial activity in the soils of his property – 5 acres around the RSV winery in Napa Valley’s Stag’s Leap District, and another 200 or so in the Los Carneros AVA – by ceasing the use of chemical fertilizers, pesticides and the like; and by 2001, when RSV received its CCOF certification, the earthworms and birds were back in multitudes.

Sinskey’s vineyard manager, Debby Zygielbaum, is both meticulous and obsessive in her aversion to, in her words, “better living through chemicals.” “It’s not like we have it easy,” she tells us, while driving us through her “shaggy” vineyards – bespoke with varieties of grass, poppies, ponds, fruit and olive trees, and even a pristine pasture for a bourgeoning flock of sheep – up and down the Carneros hillsides.

“One of our biggest barriers,” according to Zygielbaum, “is powdery mildew, for which 508 (the anti-fungal Biodynamic® tea spray prepared from horsetail) is not enough” – and so she finds it necessary to supplement with some sulphur. “Gophers, mealy bugs, nematodes, you name it, we got it, and we take organic measures to keep things in balance. But at the end of the day, the pay-off for what we do in the vineyard is in the wine: in this day and age of Robert Parker and wines that taste all the same, there’s something beautiful about something that tastes of a place, and I think we’ve got that.”

Which brings us to RSV’s top-of-the-line blend of Merlot, Cabernet Sauvignon and Cabernet Franc, which Sinskey affectionately calls Marcien – French for “from Mars” (or, “you must be crazy”). Says Sinskey, “we call it Marcien because when we first started planting Bordeaux grapes in Carneros (a cold region with shallow clay soils rather than the deep gravel and moderate climate associated with Bordeaux), some people thought we were nuts. But you taste the wine and tell us what you think.”

What do I think? If you’re a wine lover who prizes the elegance and deep, compact intensity of red Bordeaux, the 2005 Robert Sinskey Vineyards Los Carneros Marcien (about $50) will blow you away! No, it’s not “Bordeaux,” it’s Carneros grown Merlot – luscious, velvety, seamlessly textured – knit to the black, wild, plummy, licorice, gnarly tobacco, and smoky room qualities associated with the Cabernet grapes. Since Sinskey also happens to be married to Maria Helm – a great chef, formerly of the San Francisco’s recently shuttered Plumpjack CafĂ© –the Marcien’s ideal food context is also key to maximum consumption. The Sinskeys recommend this recipe for braised veal shanks with olives and bay leavesdouble-wow!

Tuesday, May 5, 2009

New address

Dear all,

Our blog has moved to the new address with the new design, blog.entaste.com

Cheers
entaste

Friday, May 1, 2009

Rainy Day Monday


Tom Gannon is the playwright in residence at Rothmann's Steakhouse in New York City. He is also the sommelier and serves as America's Host. UncleLuther@gmail.com



Two weeks ago I dodged the rain for seventy five feet across 54th Street south through the building of 520 Madison out on 53rd to take a hard right into Alto where I had been invited by a friend to be his guest at a dinner and vertical tasting of Chateau Pichon Longueville Comtesse de Lalande hosted by Clive Coates (Master of Wine, the 72nd MW) who authored Cote D'Or and more recently The Wines of Burgundy.

Coates was on a five week tour of the U.S. doing wine dinners, charity events and other wine related appearances which were apparently all linked to Burgundy until a Nashville based collector who is an investor in Alto convinced his snowy bearded eminence to do this dinner on a night they both had free in New York.

Coates began with the history of the Chateau with the requisite mention of the Dutch draining the swamp that was Bordeaux transforming it into the land that is Bordeaux. The estate was founded in 1689 and was divided in the 19th century due to Napoleonic laws but was run more or less as a whole until 1860. Both properties received deuxieme cru (second growth) status in the 1855 Classification. The sibling is known in Bordeaux shorthand as Pichon Baron. Pichon Lalande is just to the west of first growth property Chateau Latour in the southeastern corner of Pauillac. The vineyard holdings spill over into St. Julien and Coates noted that until the early 60's around an 1/8 of total production was bottled as St. Julien instead of Paulliac (he also noted that Lafite had similar geographical issues on the northern side of Pauillac with St. Estephe but Lafite was never forced to signify anything on thier label...)


What makes Pichon Lalande so distinctive for a wine from Pauillac is the relatively high percentage of merlot that is used in the blend, giving it a softer, more "feminine" style- indeed Coates at one point declared that "these are Margaux wines." The typical blend has around 35% merlot.


First flight paired with Uovo "Bio" con Animelle e Marsala- soft poached egg, sauteed veal sweetbreads, marsala

2000- Sweet mocha, black cherry, creme de menthe, licorice and a tarry edge to the nose balanced tannin still evident on tongue supple sexy long finish, a very modern plump style. If you have this in your cellar I would wait at least five years.

1996- Black cherry , eucalyptus, soy, earthy caramel, star anise, tannins starting to soften but still showing a bit in cheek and gums, long spicy earthy finish. Nice structure to this wine will continue to develop but I like it now. This paired the best with the dish- the richness of the egg and veal made nice with the tannins.

1994- Funky cherry, a bit wet dog edge with leather and tar, soft in midpalate with round supple tannin medium length to the finish. Best consumed in the near future, considering the price relative to quality there is value here.


I would rank them in the following order, 1996, 2000, 1994. My opinion on the flight was not shared by CC. He claimed the 1994, which is the least heralded vintage, was his favorite. He claimed the 2000 was a bit too modern for his taste and didn't have the tannic background of the 1996 but that the '96 "Charms me the least. What I'm looking for in a wine is the sweetness."


Second flight paired with Agnolotti del Pin, Spugnole e Marsala- piemontese duck ravioli, morel mushrooms and veal sauce.

1991- Leather, earth, sweet tannic wild strawberry, more fruit than I expected still slight tannin on attack, medium length to the finish a truffled edge to the nose, the greenest nose of the three but surprisingly good.

1990 -Sweet stewed red fruit, rich and full nose, truffle, walnut and dark chocolate, clove in midpalate, sexy silky tannin on finish. This is a nice glass of wine but does not show the depth of the 1989.

1989- Dark chocolate, sugar plum, lead pencil, wet leather, rich earthy edge, clove, rhubarb panna cotta, incredible balance with a long gorgeous finish. Easily the best of the three. This will also age the longest of the three but is drinking well now. This wine was fantastic with the soft ravioli and the spongy fiber of the morels in the veal sauce. The earthy, spicy edges of this wine stood up to a deceptively powerful dish.


In this flight it seemed to be obvious and I don't recall much dissent over the order of most to least impressive (although there was at least one person who did declare the '91 to be their favorite). The '89, '90 and then '91 is my lineup. Considering the conventional wisdom regarding the 1991 vintage (CW says disaster) the 1991 was a pleasant example what a good estate can pull off in a challenging vintage. The high percentage of early ripening merlot gave them an advantage over their neighbors who lean much more heavily on later ripening cabernet sauvignon. Coates said the 1990 was not as great as it should have been given the glorious nature of the vintage. He believes "they may have racked the musts too early." It is a bit of a disappointment given what their more muscular sibling Pichon-Baron and the big boy on the block Chateau Latour produced in 1990.


Third flight paired with Involtino di Coniglio con Spaetzle e Ciliegia Agrodolce -seared rabbit loin stuffed with dried cherries, crisp spaetzle, chiodini mushroms and rabbit jus.

1985
- Dark chocolate, mint, soy, fish sauce, smoked meat, black cherry, rich chewy tannin, dried orange peel, long sexy finish. This wine was the best pair with the dish (maybe I wanted the '82 all alone...) because of the smoke, salty gamey character.

1983
- Nutty with a bit of smoke and earth on the edge, with an odd plastic note (but not the funky plastic I find in the vast majority of Long Island bordeaux varietals), sweet dried cherry in midpalate.

1982
- Rich cherry, pistachio, tar, truffle, earth, mint, tobacco, smoked meat, strawberry compote on the nose clove and cherry in midpalate incredible balance long sexy finish.

I would have ranked these wines '82, '85', '83. On a side note the first bottled of 1983 was flawed and so another was brought and decanted ans served immediately where all of the other wines were decanted a hour before the dinner began. Coates called the 1985 "a disarmingly lovely wine with Margaux touches" and noted that there was a very large crop in '85. Of the '82 he named names, "One of these wines where Parker and Coates both had orgasms." He did not name names when he discussed how homogenous Bordeaux had become and felt that the shift was due to vintages like 2000, and 2003 and 'certain critics'. He has not tasted in Bordeaux since 2004 considering himself "semi-retired".

I asked Clive whether he had seen another vintage like '85 which was a stellar vintage worldwide. He said no, we talked about 1990 as almost stellar worldwide but was not declared in Port, then he couldn't resist the dig, "But I don't know what the conditions were like for the wines of the third world. The Californias, the South Americas..."

The next course had originally listed only the 1979, 1966, and 1964 but CC was visibly flustered seeing it would not be included after holding forth specifically on the 1978 in his introduction and review of the history of the Chateau as the vintage where Pichon Lalande broke into producing truly great Bordeaux worthy of "super-second" status due to the vigilance of Madame May Elaine de Lencquesaing and her family's attention to detail (although when I asked later he did admit that Leoville Las Cases would be the first choice when talking if and when another property would ever be promoted to first growth status). Kudos to the generosity of Tom Black, the Alto investor from whose cellar the wines originated and who proposed the idea of the dinner to Coates to then include the '78 mid-meal. Eric went to the cellar for a bottle of '78 and decanted it. Coates declared it to be flawed. A second bottle was brought and passed muster. Kudos as well to the humbling professionalism of Eric Ziller.

Cheese course-
Three cheeses all good quality bit players. Two cow one goat beasts of burden even now.

1979
- Cooked? Prune and chocolate milk earthy chocolate and vanilla cream on nose, no balance on palate confirms the kinky nature of this bottle.


1978
- Graphite, cherry, gravel, flint, lead pencil, wet mint, chocolate mocha, truffle. Length and balance are impressive, wine is delicious, could go a bit longer but I would drink soon. I don't see it improving I believe it is at it's peak. Definitely the wine of the night.


1966
- Creamy milk chocolate, creme de menthe, clove, dried cherry and raspberry, star anise, dried mint on nose still shows a bit of cherry and strawberry on palate with a medium long finish. Still an interesting bottle but past it's prime.


1964
- Funky earthy mint, herbal Amaro Lucano edge on nose, caramel, clove, smoked meat, stewed red fruit, star anise, dark chocolate, milk chocolate, mocha and beef bouillion. Soft tannin with a juicy lingering finish. I preferred this to the '66 though I don't believe with one would show comparatively well in a horizontal Bordeaux (or Pauillac) tasting of either vintage.


So here it is the '78, '64, '66 and then limping in the '79. Coates by now was readying to put a little English on it and so it came...the '78 has "Stupendous class. A ballerina in repose." He allowed that perhaps the '82 was the greater wine but "To my reserved English palate I prefer the '78." He then told a story about the 1979 harvest when some Spainards had come over to work the harvest and cross pollenated with some of the local Pauillac girls. The French fathers and boyfriends had a problem with it, knives were pulled a bit of West Side Story in a second growth vineyard.

But to speak of putting the English on it I have to quote Michael Broadbent from Vintage Wine on the 1964 Pichon Lalande, "...Most recently, its appearance reminded me of my father's old Labrador, lying on its back waiting to be tickled: soft, mature, a warm open-rimmed rosehip and orange colour..." I drank this Labrador but it was the '94 that reminded me of wet dog.


Thursday, April 30, 2009

Good thoughts, Great food!

David Grega is a certified sommelier and wine consultant living in the Napa Valley; In addition David is the consulting winemaker and national sales manager for Carlotta Cellars. For more information e-mail david@carlottawines.com


Always start with a positive feeling, a thought of happiness and joy. Each morning my very first task is to put myself in a positive state of mind. I remind myself that today is a precious gift, the day will bring fourth ample opportunities to make a real difference in the world weather small or large. I will squeeze as much pleasure out of today as I possibly can. Everywhere I go, I feel like a child on Christmas morning, awaiting the gifts that lye just around the corner. On this particular Wednesday afternoon I found myself running errands in Yountville, Ca. As I got in my car to leave I noticed a certain rumbling in my tummy. Time to eat! All I had to do was look straight ahead to find relief. Bouchon! One of the perks of living in the Napa Valley is having constant access to some of the worlds finest feasting spots. The following is an account of a lovely lunch on a perfectly pleasant Wednesday afternoon.

I always know just where to go when dinning at Bouchon. The bar is the best seat in the house, I promise you there is no better. The bar tender recognizes me right away,"ah! a local!" It's hard to forget a bearded 6 foot 245 pound guy that swirls a burgundy glass like he was born to do just that. Not to mention the Blundstone boots and "Napa Casual" t-shirt and cargo shorts. I got straight down to business. I ordered a salad that has become a classic standard at Bouchon, the simple yet flavorful "Maraichere au Chevre chaud" basically mixed greens with red wine vinaigrette, warm goat cheese and herbs de Provence. My drink of choice to accompany this dish was a lovely Sancerre. The Pastou , les Boucalts 2007 Sancerre had a nose of fresh currant leaf, honey and wet stone. On the palate I found a refreshing and pristine acidity coupled with a tasty Meyer lemon, white flower and mineral component. The pairing was near perfect!


For my main course there was no question in my mind, I wanted the Croque Madame! For those who are unfamiliar with the Croque Madame I urge you to become acquainted as soon as possible. The basic makeup is a toasted ham and cheese sandwich on brioche with Morney sauce topped with a fired egg (normally served with fries) I opted to have the "Carottes" which is basically a side of butternut squash seasoned with sage and currants. No wine was going to do for me what a few well made beers would. I chose to have a small portion of three beers to accompany my Croque Madame. Kronenbourg (France), Napa Smith, amber ale, and Duvel. The Duvel paired best with the Croque Madame, but I found the Napa Smith amber ale to be right at home with the Carottes. The Kronenboug was quite Delicious but was better suited on it's own.


Now time for a little dessert! I chose to enjoy one of my favorite Madeira wines, the Cossart Gordon Bual 10 year. One the nose I found a tantalizing combination of Cashew peanut brital, honey comb and toffee. The palate was amazingly viscous and full of layered flavors mirroring the nose with a terrifically long finish. As I was enjoying my Madeira two friendly gentlemen took seats next to me and ordered some Fino sherry. I made conversation with them and soon discovered that one of them was from Napa and another was from France. I enjoyed a few laughs then prepared to set out. I didn't realize until just before I left that one of the gentlemen was the technical director for Dominus in Yountville and the other was in fact Christian Moueix, the owner of Dominus and chateau Petrus. This was a pleasant surprise and capped off my wonderful lunch quite nicely. It's days like this that I truly understand the reason I am in the wine industry. Wine Food and people is what it all boils down to. Stay positive! Cheers!

Monday, April 27, 2009

Pierre Peters Esprit de 2002 Grand Cru brut

I drink champagne when I'm happy and when I'm sad. Sometimes I drink it when I'm alone. When I have company I consider it obligatory. I trifle with it if I'm not hungry and drink it when I am. Otherwise I never touch it – unless I'm thirsty." – Madam Lilly Bollinger

Brand: Esprit de 2002 Grand Cru brut
Winery: Pierre Peters
Vintage: 2002
Varietal: Chardonnay
Winemaking: All base wines are elaborated in stainless steel and are therefore very dry. The residual sugar is somewhere between 3 and 6 g/l depending on quality and vintage. Owner Rodolphe Peters decided not to label the Champagne „Extra Brut“. Only after extraordinary vintages this Champagne is made. The 2002 aged on it´s yeasts for 6 years and is the 2003´s successor, which was clearly lighter and came on the market before.
Average Price: € 39,00
Tasting Notes: On the palate hints of white fruits like peach and pear, also dominating citrus aromas. The intense scent of almonds and marzipan, the minerality and the crisp acidity are fabulous! It´s perfect when you let it breathe 3 or 4 minutes after pouring.

Long aging potential!

Food Pairing Suggestions: alone is my suggestion

General rating: 4 tastevins
Categories: Special Occasion, Adventurer´s choice

Winery notes: Amongst connoisseurs in France Pierre Peters Champagnes are already very known, they are present in many gourmet restaurants throughout the country, everywhere where quality instead of big names stands in the foreground (unfortunately this is not at all the case in Germany, where mostly big brands are bought, and way too over-priced). The 17,5h vineyard is in Le Mesnil sur Oger. Originally, the ancestors came from Luxemburg completely attracted by the region of Champagne. They must have had great understanding of what they´re doing … the Quality is outstanding and reflects the vast varieties in style that one can find in the region. The style is very terroir focused (mineralic) and stands out with a very individual character.